Katazome & Textile Arts
Fire Rabbit Studio is a working practice in katazome and related textile dyeing traditions. Articles, resources and occasional work for sale.

Fire Rabbit Studio
Stencil dyeing with rice paste resist — a tradition that spans Ryukyuan bingata, Japanese yukata cloth, and centuries of East Asian pattern-making. The stencil is called a katagami; the resist is rice; the rest is chemistry, pressure, and time.
In December of 2025 I acquiring 6 packets of Japanese madder seedlings. This was done with the help of a friend living in Japan, and the seeds were imported legally through the USDA inspection process. The box arrived smashed, and open, but luckily the seeds hadn’t fallen out. As a note, you must use Japan…
This post is part III of a series of posts on learning about dyeing katazome with indigo. It’s the last post for now, until I can dye with indigo again in the spring and summer. It’s common with indigo katazome to brush soymilk on after laying down paste. This does two things: it strengthens the…
Last fall, I did some preliminary trials with different types of fabric pretreatments – soy, funori, and konjac. Konjac, a root vegetable, comes from the Okinawan tradition. Funori, a seaweed, is a very common pretreatment for fabric in katazome and its sister, sodum alginate, is often used for pretreatment and thickening in procion mx dye.…
Antique Japanese paper stencils — collected, photographed and digitized. Many are available as repeat patterns on fabric through Spoonflower.
Katazome work is made to order or available when pieces exist. A noren or bolt of cloth represents a week or more of work and significant materials — prices reflect that. Each piece is documented here with its pattern origins and process.
Suppliers, tools, dyes and references gathered from years of practice.
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Antique paper stencils — restored, documented, available as printed fabric.
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Where to find quality natural-fiber cloth for dyeing work.
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Studios practicing sarasa and surizome — contemporary and traditional.
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